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Around 10 most nights, Nikeisah Newton hops into her car for a minute drive into downtown Portland, Ore. Newton said. Newton, whose ex-girlfriend is a former stripper, has ed a wave of dancers and their allies across the nation who are fighting to reform labor practices; put an end to sexual harassment and discrimination in their workplaces; and stifle the stigma around what they believe is as legitimate a profession as any. Members of this movement are sharing their experiences with the public through podcasts, books and visual arts; using technology to spread information about their industry; and protesting injustices in the streets.

They are also finding ways to care for each other, with meal-delivery services, yoga classes, book clubs, clothing lines with slogans of solidarity, financial planning lessons and comedy workshops. At V-Live in Los Angeles, guests are encouraged to use their phones to take videos and photos of the dancers. On a recent evening, a photographer circled the dancers, taking images that they could later buy to use on their Instagram s.

Cardi B, a megastar, takes pride in and has spoken positively about her experiences with stripping. Magic City and other clubs in Atlanta are well known among hip-hop fans as places where musicians test out new songs. And across America, the face of stripping, and its audience, is changing. No longer the domain solely of finance bros and the like unwinding after hours, strip clubs these days are also frequented by couples and friends.

On recent evenings in strip clubs in Los Angeles, Portland and New York, the audiences contained a mix of men and women. Dancers in all three cities were unabashed in collecting tips. Later, as another dancer in a leather bustier and thigh-high boots landed on the floor in a split, a of women oohed and aahed, and made their way to the seats surrounding the stage to throw bills her way.

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At Kit Kat Club in Portland, tips are requested with age and by a dancer who walks around the audience with a glowing bucket. At Pumps in New York, dancers come around to each audience member seated by the stage between sets and stare until tips are handed over.

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I would not have this career I have without social media. If I tried to go through the traditional routes, nobody would book me. Some are glamorous and expensive, some are cheap and Looking 4 stripper. The clubs are governed by laws that vary by state and city. In New Orleans, dancers are required to maintain at least three feet of distance between the customer and themselves and be at least 18 inches off the ground; in San Diego, that distance is Looking 4 stripper feet. Some clubs require customers to buy tokens for a lap dance; others allow them to hand the money directly to dancers.

Some encourage the use of Venmo. Kit Kat Club, in Portland, takes bitcoin. That was just the beginning. Through this classification, the clubs also do not have to pay minimum wage and overtime. Clubs typically do not pay strippers a salary. Frances said. For years, strippers have been filing lawsuits challenging their employment status, and in most cases the courts have sided with them.

LeRoy has found that in 93 percent of rulingsthe court agreed that the strippers had been misclassified. A recent ruling from the California Supreme Court, in a case brought against Dynamex, a delivery service, would toughen the rules by which to assess whether someone is an independent contractor and automatically classify strippers as employees. Antonia Crane, a dancer, author and writing instructor at U. Extension, is hoping to capitalize on the Dynamex decision.

Crane, who did not want to share her age, is a founder of Soldiers of Polea labor movement of strippers striving to become a union. Crane said. Strippers have tried to unionize before. Crane, ed the Service Employees International Union. Since December, Soldiers of Pole has been hosting meetings where strippers can seek advice from lawyers and other advocates. Dancers in California have reported that managers will not allow them to take contracts home; that they are strongly encouraged to away their employee rights; or that they are pressured into ing release of claims contracts, in which they promise not to sue the club for any violations and to solve any dispute through arbitration.

Moon said she has never been able to take a copy of a contract home. In New Orleans, some dancers organized into a group called Bourbon Alliance of Responsible Entertainers, in response to raids on the clubs by the Alcohol and Tobacco Commission in More raids followed inafter which several clubs were closed for weeks at a time. The police and the Alcohol and Tobacco Commission initially said that the purpose of the raids was to weed out trafficking, but the itemized lists of violations enumerated instances of individual dancers exposing their breasts or genitals, offering to sell undercover police officers drugs, and soliciting undercover officers for prostitution.

In response, dancers have protested and attended city-council meetings. One of the members of the Bourbon Alliance of Responsible Entertainers has ed with a student at Tulane University to conduct a study about the effects the raids had on dancers. I was raped by a guy like this in a place like that. I told the club and the police, but no one did anything. Unhappy with how management responded when she reported the incident, and after hearing that the man had been accused of assaulting another woman, Ms.

Montgomery took action. She reported her assault to the police in August; after several months, a detective told Ms. Montgomery said.

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Montgomery are false. Sexual assault is something our organization does not take lightly We take numerous security measures to ensure that the environment is safe for our dancers, and to make clear to our patrons that this type is misconduct is not tolerated on our premises. Of the billboard, Ms. A survey of several dozen dancers in Portland found that 84 percent had experienced unwanted groping, rape, forced or coerced sexual acts on the job.

Only 6 percent said they received any resources from their employers, like access to therapy, to help them cope with the trauma. Moon, who has worked with Soldiers of Pole, also said she had been assaulted, while in a private room with a customer at a club in Los Angeles.

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When she tried to tell the manager on duty what had happened, she said, he told her that it looked as though she was soliciting the customer for sex. Moon said. They called me dirty. Before stripping, Ms. When she first began stripping, Ms. Moon said that she felt liberated and that the money she earned gave her a sense of independence after years of struggling to make ends meet on a minimum wage.

Every day that I had to go back to work at that point, I was so upset and miserable and terrified.

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Finding a way to prevent violence in strip clubs, especially in private rooms, was the goal of a coalition of Seattle dancers, Strippers Are Workerslast year. Topps said. A lot of people have no clue about our industry.

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They thought our main problems were us tripping over our shoes. Their efforts led legislators in Washington state to pass a bill in May that directed clubs to install panic buttons in spaces where dancers could be alone with customers and to maintain blacklists of customers who have been violent. The bill also mandates training for dancers to learn about their rights, and established an advisory committee, half of whose members must be current or former strippers.

In an interview, Ms. Topps and Ms. But Ms. Watkins believe the true cause was that they had been quietly recruiting other women to Strippers Are Workers, which now has about 50 members. House fees were first introduced to help owners pay for capital improvements to the club: for example, to renovate the stage, install better lockers or repaint the walls.

But many dancers say they rarely see the money used for such purposes, that house fees are simply an accepted way to make them pay to work and that they should be abolished. Shira Cole, 34, a member of Strippers Are Workers, said she constantly engaged in an internal debate about whether going to work would have a payoff or whether she would end up owing her club more money.

Nobody is forcing anybody to work anywhere.

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In many clubs, strippers are required to pay not only house fees and additional fees for each private dance, but also a portion of their earnings to other employees at the club, including the D. This allows club owners to shift the cost of the operation from themselves to their workers, said Mr. LeRoy, the law professor.

LeRoy said. Stanger said. On a Saturday in May, about people filed into a warehouse in Los Angeles that had been converted into a pop-up club called Thicc Strip. It was created by Alison Stevenson, 30, Elizabeth Flores, 28, and Linda Douglas, 27, and the idea was to provide an opportunity for women of all sizes to take their clothes off and dance in front of a crowd.

Stevenson said. Aspiring Thicc strippers had to a four-week workshop with a pole instructor and a performance coach who kept tabs on their psychological states. The creators wanted to foster a sense of unity rather than competition among the dancers. Part of the motivation for the creators was to counter the popular narrative that being thin is good.

But that was before the growth of the body-positivity movement, which is directly connected to the sex-positivity movement. Flores said. It would have been a straight fetish event 10 years ago.

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